“Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway.” — Wikipedia.
In my book, Open – A Boy’s Wayang Adventure, the protagonist, Open, likes to read. He reads “about anything and everything”. (Open: pp 7). He would sometimes consult Wikipedia when he wants to find out things. He also perceives his world differently from the rest of us. For example, he describes his feelings in relation to one of the five senses—taste. Here is an excerpt from Chapter 7, where Open talks about how he feels on learning that Mama may be leaving him to work in New Zealand.
I will not be seeing Mama for a few months when she goes to New Zealand. It will take more than 10 hours to reach Auckland by plane. That’s very far away. I will not be seeing Mama every day.
“When will you go?” Papa asks.
“They’re still deciding…”
“It’s just that Open…”
“Oh Ben,” Mama sighs. “I don’t know, Sky. He’s not getting better and I don’t know what to say to him.”
I am tasteless inside.
Some people, like Open, are synesthetes. They often experience one sense using another part of their sensory organs. For example, listening to music can trigger a vision of bright lights in some people. In another case, known as grapheme-colour synesthesia, letters and numbers are seen as colours or coloured. Open experiences his world in a lexical-gustatory way, where certain tastes are experienced when hearing certain words or when certain people are associated with particular tastes. In chapter 7, Open feels “tasteless inside” when he hears his mother uttering “Oh Ben”. Like many lexical-gustatory synesthetes, Open expresses his feelings, sadness in his case, through tasting it.
A well known synesthete was Wassily Kandinsky. He experienced visions of colours in motion when listening to classical music. The moving colours correspond to the movement in the music. In his paintings, you will often see dashes of colours—sprays of blues, swirls of violets, glares of yellows, circles of reds, lines of black—rendered in watercolour. Take for example, his Composition VII (1913), the canvas is a mess of colours, distracting to look at. But in this piece, Kandinsky is expressing a profound sense of the spiritual. He often associates and ascribes certain emotional qualities to certain shades of colours.
Wassily Kandinsky is a Russian artist (1866-1944). He was also an art theorist, often talking and discussing art with his friends and in lectures. Kandinsky is credited with being the first artist recognised to have painted the first work of pure abstraction.
Kandinsky is very grandiloquent in expressing the processes at work when painting: “Our hearing of colours is so precise … Colour is a means of exerting a direct influence upon the soul. Colour is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposely sets the soul vibrating by means of this or that key. Thus it is clear that the harmony of colours can only be based upon the principle of purposefully touching the human soul.” (The Guardian, 2006)
Emotions are too abstract to describe in real terms. Associating an emotion to a certain taste or colour, often helps us picture how we feel concretely, in my opinion.
I would be happy to hear what readers have to say about synesthesia. Please leave your comments below. Remember that this blog may be read by children who have read Open and want to discuss the book here. Do remember to be polite and mindful that young minds may be present in this space.
If you haven’t purchased your copy of Open – A Boy’s Wayang Adventure, you can buy it here. For Singapore readers, the book is sold exclusively at Popular Bookstore until April. To review Open, you can go to Good Reads where the book is listed.
To participate in Instagram, take a picture with the book and hashtag #OpenEveryChildMatters, @evawongnava, to share about your reading journey. I would love to hear from you.